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Partitions à imprimer
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The Sharpest Smile (F Major)
The Sharpest Smile (F Major)
#
Piano, Voix
#
Robert J
#
or lyrics to that effect
#
The Sharpest Smile
#
Sherman Theatrical Entertainment Ltd.
#
SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.529570 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Fe...
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Piano,Vocal,Voice - SKU: A0.529570 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Festival,Instructional,Musical/Show. Score. 6 pages. Sherman Theatrical Entertainment Ltd. #117896. Published by Sherman Theatrical Entertainment Ltd. (A0.529570). The Sharpest Smile is from the musical Love Birds. This song pays homage to “Honey Bun” from the classic 1949 Rodgers & Hammerstein musical: South Pacific. Like its forerunner, “The Sharpest Smile” represents a “show within a show” moment. Both “Honey Bun” and “The Sharpest Smile” derive their comedy from the age-old, vaudevillian gimmick of a girl pretending to be a boy and vice versa. In the context of the Love Birds script, “Vera” (a female parrot) is costumed as a 1920s (male) gangster talking to “his” gangster friends. “The Gangster” character explains that “he” has met a wonderful girl (named “Pearl”), so don’t expect to see “him” around as much; or lyrics to that effect. Later in the number, we learn that “Pearl” is in fact a hungry crocodile dressed in a lady’s bikini costume (i.e. two coconuts strung together for the top – also an homage to “Honey Bun”). Pearl constantly tries to take a bite out of the Gangster Parrot who is blissfully unaware of the threat. This is a comedy song about mismatched relationships, but it also serves as meta-commentary on the dangers that pursuing such relationships can pose. In other words, “Pearl” is “Peril” (at least according to the thinking of the time). Despite the implicit risk, this unconventional love story seems to work out in the end. When printing, please scale to fit for standard US Letter and A4 size.
$3.49 ≈
3.26€
The Sharpest Smile (D Major)
The Sharpest Smile (D Major)
#
Piano, Voix
#
Robert J
#
or lyrics to that effect
#
The Sharpest Smile
#
Sherman Theatrical Entertainment Ltd.
#
SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.556054 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Instructio...
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Piano,Vocal,Voice - SKU: A0.556054 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Instructional,Musical/Show. Score. 6 pages. Sherman Theatrical Entertainment Ltd. #165526. Published by Sherman Theatrical Entertainment Ltd. (A0.556054). The Sharpest Smile is from the musical Love Birds. This song pays homage to “Honey Bun” from the classic 1949 Rodgers & Hammerstein musical: South Pacific. Like its forerunner, “The Sharpest Smile” represents a “show within a show” moment. Both “Honey Bun” and “The Sharpest Smile” derive their comedy from the age-old, vaudevillian gimmick of a girl pretending to be a boy and vice versa. In the context of the Love Birds script, “Vera” (a female parrot) is costumed as a 1920s (male) gangster talking to “his” gangster friends. “The Gangster” character explains that “he” has met a wonderful girl (named “Pearl”), so don’t expect to see “him” around as much; or lyrics to that effect. Later in the number, we learn that “Pearl” is in fact a hungry crocodile dressed in a lady’s bikini costume (i.e. two coconuts strung together for the top – also an homage to “Honey Bun”). Pearl constantly tries to take a bite out of the Gangster Parrot who is blissfully unaware of the threat. This is a comedy song about mismatched relationships, but it also serves as meta-commentary on the dangers that pursuing such relationships can pose. In other words, “Pearl” is “Peril” (at least according to the thinking of the time). Despite the implicit risk, this unconventional love story seems to work out in the end. When printing, please scale to fit for standard US Letter and A4 size.
$3.99 ≈
3.72€
Rise Up Shepherd and Follow Trio with flute or cello or violin and piano
Rise Up Shepherd and Follow Trio with flute or cello or violin and piano
#
Spiritual
#
Connie Boss
#
Rise Up Shepherd and Follow Tr
#
Connie Boss
#
SheetMusicPlus
Alto Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1347191 Composed by Spiritual. Arranged by Connie Boss. ...
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Alto Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1347191 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 12 pages. Connie Boss #931987. Published by Connie Boss (A0.1347191). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a trio - can be SAT or SAA (low alto) with a choice of flute or violin or cello as an accent instrument and piano. Parts are included with purchase for all three instruments. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$7.99 ≈
7.46€
What I Did For Love
What I Did For Love
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Ligne De Mélodie, (Paroles) et Accords
#
INTERMÉDIAIRE/AVANCÉ
#
Brent Maher and Tom Schuyler
#
John Fries
#
What I Did For Love
#
John Fries
#
SheetMusicPlus
C Instrument - Level 4 - SKU: A0.500254 Composed by Brent Maher and Tom Schuyler. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. Lead Sheet / ...
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C Instrument - Level 4 - SKU: A0.500254 Composed by Brent Maher and Tom Schuyler. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113441. Published by John Fries (A0.500254). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. What I Did for Love is a song from the musical A Chorus Line (music by Marvin Hamlisch, lyrics by Edward Kleban). It was quickly recognized for its show-business potential outside Broadway and was picked up by popular singers to include in their performances in their club and television appearances. Both female and male singers have made it an inclusion in their recorded albums to great effect.
$3.99 ≈
3.72€
Toasting Mother Earth
Toasting Mother Earth
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Piano, Voix
#
AVANCÉ
#
Ross Fiddes
#
dependent, fragile offspring
#
Toasting Mother Earth
#
Ross Fiddes
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me. My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloise”, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award) for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect. His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words. To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece. And, for further cohesion, I built an ABA (ternary) section early to address certain word structures. Mostly, the various sections followed the stanza structure provided by Derek, with some combinations. My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on. In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist. I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here: http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded? Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00 ≈
32.67€
The Legend of Ramund
The Legend of Ramund
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Chorale SATB
#
Mogens Eliasen
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The Legend of Ramund
#
Soverenity Enterprises Inc.
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Publishe...
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Choral Choir (SATB) - SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Published by Soverenity Enterprises Inc. (A0.1007125). The 40-page score is a choral symphony with a powerful lesson to modern people, based on an old Danish folk song about the young super-hero Ramund. The score is dense with contents, both musically and lyrically, and alone for that reason, the 8-minute performance takes an advanced choir.The original folk song dates back to the Viking age and consist of many episodes ofRamund's life, almost like a personal saga. Some have undoubtedly been added later,making the total number of stanzas go up around 50, but the main idea of the song isto report about a young lad, whose ideas of what is right for him to do or not doare completely unaffected by other people's opinions, including those of royalties andcelebrities. The stories are in many regards comparable to those of Beowolf.Although the stories generally are dramatic and bloody, Ramund always retains hiscool attitude and shows how unimpressed he is with power demonstrations, even hisown when he is provoked to use his strength. It is a common element throughout thestories that Ramund detests evil and aggression, and he goes to great lengths to fightpower abusers and aggressive elements. He just wants to live in peace and not haveto be bothered by all those who like to abuse power!Included in this presentation for piano and 8 voices are 11 stanzas from what is believedto be original, in English translation, with focus on clarity of meaning, more so thanpoetical rules and rhymes. The first ruling concept has been to obtain clarity and agreat fit to the music. The second concept has been to add the inspiration this old folksong has created in the mind of a modern rebel who would like to see some ofRamund's attitude to power and power abusers put into action in our modern corruptsociety. Maybe in a less bloody version, but definitely with a similar effect! The added2 stanzas and the attached coda, as well as the added lyrics to the intermezzos and theincorporated commentaries to the action should serve that purpose.In addition, the original tune itself, as well as the lyrics and the intermezzo, haveinspired some musical development throughout the piece, to further accentuate themeaning and the messages about respecting each other, standing together againstabuse, and not letting power abusers get away with their crimes.The 8 voices cover ranges as follows: First sopranos: C4 through Bb5 (possibly G5); Second sopranos: C4 through E5; All altos: G3 through D5; All tenors: C3 through G#4(possibly F#4); First basses: F2 through D4; Second basses: D2 through B3
$7.00 ≈
6.53€
Rise Up Shepherd and Follow SATB flute and piano
Rise Up Shepherd and Follow SATB flute and piano
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow SA
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Flute,Piano Accompaniment,Soprano voice,Tenor Voice - Level 2 - SKU: A0.1346769 Composed by Spiritual. Arranged by Connie Boss. Ch...
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Alto Voice,Bass Voice,Flute,Piano Accompaniment,Soprano voice,Tenor Voice - Level 2 - SKU: A0.1346769 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 13 pages. Connie Boss #931551. Published by Connie Boss (A0.1346769). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a SATB with optional flute or violin or cello and piano. Parts are included with the purchase. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$7.99 ≈
7.46€
Rise Up Shepherd and Follow Strings quintet and piano
Rise Up Shepherd and Follow Strings quintet and piano
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow St
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Connie Boss
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SheetMusicPlus
Level 3 - SKU: A0.1347788 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 18 pages. Connie Boss #932598. Pub...
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Level 3 - SKU: A0.1347788 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 18 pages. Connie Boss #932598. Published by Connie Boss (A0.1347788). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a Strings quintet - 3 violins, viola, cello and piano. Parts are included with the purchase. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. Lyrics are included with most partsemail cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$7.99 ≈
7.46€
Rise Up Shepherd and Follow SATB and piano
Rise Up Shepherd and Follow SATB and piano
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow SA
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Piano Accompaniment,Soprano voice,Tenor Voice - Level 3 - SKU: A0.1346762 Composed by Spiritual. Arranged by Connie Boss. Christia...
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Alto Voice,Bass Voice,Piano Accompaniment,Soprano voice,Tenor Voice - Level 3 - SKU: A0.1346762 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 10 pages. Connie Boss #931543. Published by Connie Boss (A0.1346762). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a SATB and piano. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$5.99 ≈
5.59€
Rise Up Shepherd and Follow solo and piano
Rise Up Shepherd and Follow solo and piano
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Piano, Voix et Guitare
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FACILE
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow so
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1346145 Composed by Spiritual. Arranged by Connie Boss. Christmas,Folk,Holiday,Religious,Spiritual. Score. ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1346145 Composed by Spiritual. Arranged by Connie Boss. Christmas,Folk,Holiday,Religious,Spiritual. Score. 3 pages. Connie Boss #930969. Published by Connie Boss (A0.1346145). This well know spiritual has a new intro and ending. The melody is still there for the verses. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow
$5.50 ≈
5.13€
Rise Up Shepherd and Follow Duet with flute and piano
Rise Up Shepherd and Follow Duet with flute and piano
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow Du
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Connie Boss
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SheetMusicPlus
Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 2 - SKU: A0.1347246 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,...
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Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 2 - SKU: A0.1347246 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 6 pages. Connie Boss #932046. Published by Connie Boss (A0.1347246). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a duet, flute and piano. Flute part is included with purchase. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$5.99 ≈
5.59€
Rise Up Shepherd and Follow duet and piano
Rise Up Shepherd and Follow duet and piano
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Spiritual
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Connie Boss
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Rise Up Shepherd and Follow du
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Connie Boss
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SheetMusicPlus
Alto Voice,Piano Accompaniment,Soprano voice - Level 2 - SKU: A0.1346323 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holida...
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Alto Voice,Piano Accompaniment,Soprano voice - Level 2 - SKU: A0.1346323 Composed by Spiritual. Arranged by Connie Boss. Christian,Christmas,Folk,Holiday,Spiritual. 5 pages. Connie Boss #931147. Published by Connie Boss (A0.1346323). This well know spiritual has a new intro and ending. The melody is still there for the verses. This is for a duet. It has places that slow down and then speed up for dramatic effect. I also added a few new lyrics to the second verse. email cdboss@cvalley.net for any questions or requests. I will be adding more voices Lyrics:Rise Up Shepherd and Follow SpiritualRise Up – arranged by Connie BossIntro:Rise up, Rise up, Rise up shepherd and follow Verse 1:There’s a star in the east on Christmas morn….Rise up shepherd and follow.It will lead to the place where Christ was bornRise up shepherd and followLeave you sheep and leave your lambsRise up shepherd and followLeave your ewes and leave your ramsRise up shepherd and followFollow, Follow, Rise up shepherd and followFollow the star to BethlehemRise up shepherd and follow Verse 2:Follow, follow Rise up shepherd and follow If you take good heed to the angel’s wordRise up shepherd and followYou’ll forget your flock, you’ll forget your herdRise up shepherd and followThe star will lead you on your wayRise up shepherd and followTo the place where Jesus layRise up shepherd and followFollow, follow, Rise up shepherd and followFollow the star to BehtlehemRise up shepherd and follow Ending:Rise up, Rise up, Rise up shepherd and follow.
$5.99 ≈
5.59€
What I Did For Love
What I Did For Love
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Edward Kleban and Marvin Hamli
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John Fries
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What I Did For Love
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200441 Composed by Edward Kleban and Marvin Hamlisch. Arranged by John Fries. 20th Century,Broadway,Jazz,M...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200441 Composed by Edward Kleban and Marvin Hamlisch. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 2 pages. John Fries #799267. Published by John Fries (A0.1200441). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. What I Did for Love is a song from the musical A Chorus Line (music by Marvin Hamlisch, lyrics by Edward Kleban). It was quickly recognized for its show-business potential outside Broadway and was picked up by popular singers to include in their performances in their club and television appearances. Both female and male singers have made it an inclusion in their recorded albums to great effect.
$4.99 ≈
4.66€
There Is Life Outside Your Apartment - Score Only
There Is Life Outside Your Apartment - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Jeff Marx and Robert Lopez
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Cal Rustad
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There Is Life Outside Your Apa
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Rustad Publishing
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.546619 Composed by Jeff Marx and Robert Lopez. Arranged by Cal Rustad. Broadway,Contemporary,Film/TV,Musical/Show,Pop. ...
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Concert Band - Level 3 - SKU: A0.546619 Composed by Jeff Marx and Robert Lopez. Arranged by Cal Rustad. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 20 pages. Rustad Publishing (Digital) #156605. Published by Rustad Publishing (Digital) (A0.546619). 8.5x11 SCORE ONLY Avenue Q is a musical comedy featuring puppets and human actors with music and lyrics by Robert Lopez and Jeff Marx and book by Jeff Whitty. The show won Best Musical, Book, and Score at the 2004 Tony Awards. The musical premiered Off-Broadway in 2003 at the Vineyard Theatre, co-produced by the Vineyard Theatre and The New Group. In July of that same year, the show moved to the John Golden Theatre on Broadway, where it ran until 2009, playing for over 2,500 performances. “There is Life Outside Your Apartment” is a fan favorite song from the second act of the musical, and it has been re-orchestrated for full concert band while still preserving the playful style and authentic musicality from the original. With the use of an Acme Mouth Siren and a large titanium panel (or sheet metal that can be whacked by a mallet), percussionists can recreate the “city” sound effects that were featured in the original musical production and the use of alternative playing techniques and mutes in the brass contributes to the playful atmosphere. This makes a great addition to a community or high school band pops concert! Instrumentation: Piccolo Flute (1,2) Oboe Bassoon Clarinet (1,2,3) Bass Clarinet Alto Sax (1,2) Tenor Sax Baritone Sax Trumpet (1,2,3) Horn (1,2) Trombone (1,2) Euphonium Tuba Timpani Mallets Percussion 1(snare, sus. cym, bass drum) Percussion 2 (hi-hat, woodblocks, mouth siren, triangle, ride cym, titanium panel).
$9.99 ≈
9.32€
There Is Life Outside Your Apartment
There Is Life Outside Your Apartment
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Jeff Marx and Robert Lopez
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Cal Rustad
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There Is Life Outside Your Apa
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Rustad Publishing
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.546507 Composed by Jeff Marx and Robert Lopez. Arranged by Cal Rustad. Broadway,Contemporary,Film/TV,Musical/Show,Pop. ...
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Concert Band - Level 3 - SKU: A0.546507 Composed by Jeff Marx and Robert Lopez. Arranged by Cal Rustad. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 104 pages. Rustad Publishing (Digital) #156522. Published by Rustad Publishing (Digital) (A0.546507). Avenue Q is a musical comedy featuring puppets and human actors with music and lyrics by Robert Lopez and Jeff Marx and book by Jeff Whitty. The show won Best Musical, Book, and Score at the 2004 Tony Awards. The musical premiered Off-Broadway in 2003 at the Vineyard Theatre, co-produced by the Vineyard Theatre and The New Group. In July of that same year, the show moved to the John Golden Theatre on Broadway, where it ran until 2009, playing for over 2,500 performances. “There is Life Outside Your Apartment” is a fan favorite song from the second act of the musical, and it has been re-orchestrated for full concert band while still preserving the playful style and authentic musicality from the original. With the use of an Acme Mouth Siren and a large titanium panel (or sheet metal that can be whacked by a mallet), percussionists can recreate the “city” sound effects that were featured in the original musical production and the use of alternative playing techniques and mutes in the brass contributes to the playful atmosphere. This makes a great addition to a community or high school band pops concert! Instrumentation: Piccolo Flute (1,2) Oboe Bassoon Clarinet (1,2,3) Bass Clarinet Alto Sax (1,2) Tenor Sax Baritone Sax Trumpet (1,2,3) Horn (1,2) Trombone (1,2) Euphonium Tuba Timpani Mallets Percussion 1(snare, sus. cym, bass drum) Percussion 2 (hi-hat, woodblocks, mouth siren, triangle, ride cym, titanium panel).
$49.99 ≈
46.66€
Money (that's What I Want)
Money (that's What I Want)
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Ukulele
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INTERMÉDIAIRE
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Barrett Strong
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Bill Hearn
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Money
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Bill Hearn
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SheetMusicPlus
Ukulele - Level 3 - SKU: A0.1252827 By Barrett Strong. By Berry Gordy Jr. and Janie Bradford. Arranged by Bill Hearn. Pop,Rock,Soul. Score. 3 pages. Bil...
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Ukulele - Level 3 - SKU: A0.1252827 By Barrett Strong. By Berry Gordy Jr. and Janie Bradford. Arranged by Bill Hearn. Pop,Rock,Soul. Score. 3 pages. Bill Hearn #846388. Published by Bill Hearn (A0.1252827). A ukulele solo based on the R&B classic “Money (That’s What I Want)” recorded by both Barrett Strong and the Beatles, this one-ukulele arrangement incorporates the vocal melody and a simple but effective accompaniment. No need to sing, but for those who would like to sing the lyrics are included. Can be turned into a duo by using a guitar or another ukulele to play the accompaniment chords above the music.
$4.99 ≈
4.66€
Grieg: Morning Mood from Peer Gynt Suite for Oboe d'Amore & Piano
Grieg: Morning Mood from Peer Gynt Suite for Oboe d'Amore & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549521 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549521 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504479. Published by jmsgu3 (A0.549521). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Very effective on the Oboe d'Amore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95 ≈
30.75€
Ode to Joy
Ode to Joy
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Chorale 3 parties
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INTERMÉDIAIRE
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Beethoven/Lyrics by H
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Thomas Quigley
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Ode to Joy
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Thomas Quigley
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.731819 Composed by Beethoven/Lyrics by H.Van Dyke. Arranged by Thomas Quigley. Classical,Concert. Octavo. 8 pages...
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Choral Choir (SAB) - Level 3 - SKU: A0.731819 Composed by Beethoven/Lyrics by H.Van Dyke. Arranged by Thomas Quigley. Classical,Concert. Octavo. 8 pages. Thomas Quigley #3395015. Published by Thomas Quigley (A0.731819). In this effective arrangement great care has been taken to ensure that the parts can be easily learned by the singers. A quieter romantic section in the middle allows the choir to demonstrate an expressive legato style. An attractive piano accompaniment enriches the texture and supports the vocals. The triumphant and joyous climax marks the end of this wonderful classical style arrangement which is highly recommended for amateur or school choirs.
$2.00 ≈
1.87€
All The Things You Are
All The Things You Are
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Jack Leonard with Tommy Dorsey
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Davi Rocha Campos
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All The Things You Are
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Davi Rocha Campos
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1104603 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campo...
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C Instrument - Level 2 - SKU: A0.1104603 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Instructional,Jazz,Multicultural,Musical/Show,Wedding,World. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707828. Published by Davi Rocha Campos (A0.1104603). This score is in B, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book.
$5.00 ≈
4.67€
Scenes From An Italian Restaurant
Scenes From An Italian Restaurant
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE/AVANCÉ
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Billy Joel
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John Fries
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Scenes From An Italian Restaur
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.612673 By Billy Joel. By Billy Joel. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead Sheet / Fake Bo...
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C Instrument - Level 4 - SKU: A0.612673 By Billy Joel. By Billy Joel. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #221865. Published by John Fries (A0.612673). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. Although never released as a single, it has become one of Joel's most celebrated compositions among fans and critics alike; it appears on most of his compilation albums and is a live favorite. The song is effectively a medley of three distinct pieces. Italian Restaurant begins as a gentle, melodic piano ballad depicting, in the first person, a scene of two old classmates reuniting in an Italian restaurant and moves on to a rag time section. Rolling Stone ranked it the 324th greatest song of all time on their updated 500 Greatest Songs of All Time list.
$3.99 ≈
3.72€
Luther: Out of the Depths for Clarinet & Piano
Luther: Out of the Depths for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411741. Published by jmsgu3 (A0.548715). Out of the Depths I Cry to You by Martin Luther arranged for clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
23.29€
Luther: Out of the Depths for Alto Flute & Piano
Luther: Out of the Depths for Alto Flute & Piano
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Flûte traversière et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4...
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Flute,Piano - Level 1 - SKU: A0.548707 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411715. Published by jmsgu3 (A0.548707). Out of the Depths I Cry to You by Martin Luther arranged for alto flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms.Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
23.29€
Luther: Out of the Depths for Bass Flute & Piano
Luther: Out of the Depths for Bass Flute & Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Stand...
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Bass Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the Depths I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
23.29€
Luther: Out of the Depths for French Horn & Piano
Luther: Out of the Depths for French Horn & Piano
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Cor et Piano
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and p...
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French Horn,Piano - Level 1 - SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the Depths I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
23.29€
Luther: Out of the Depths for Alto Clarinet & Piano
Luther: Out of the Depths for Alto Clarinet & Piano
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Clarinette
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DÉBUTANT
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score a...
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E-Flat Clarinet,Piano - Level 1 - SKU: A0.548708 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411719. Published by jmsgu3 (A0.548708). Out of the Depths I Cry to You by Martin Luther arranged for alto clarinet & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
23.29€
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